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You can see the screen brighten and darken as you change. For the F-stop, just turn the dial. ISO is again adjustable via Fn. I will probably try the For video basically. I am considering almost the exact same thing. D or T6s although my purpose is for landscapes, vacations and indoor sports. The D doesn't have the anti-aliasing filter which makes d have sharper images than the T6s only slightly noticeable but the D is cheaper, has greater color depth, wider dynamic range and lower noise at high iso.
I will probably go with the T6s, the D has more focus points which doesn't really bother me and both can shoot at 5 fps. Because I've already invested in Canon I will probably leave the D on the shelf. I have gone the DSLR route owing a D which was stolen and later a D but found both a hassle to take on vacation with the kids. Got a Panasonic GX1 and have been happy ever since. Much smaller and lighter and the image quality was just as good. If you are traveling with the sole purpose of photography then the Nikon or Cannon will be great, but for me personally I found using a big and bulky camera separated me from the experiences and people that I was traveling to be with in the first place.
I currently use a D90 and am considering the D Will the lenses I use on the D90 work on the D? AF-D lenses on the another hand will not auto-focus, as they require the body mounted screw drive absent for the D But if you really need the swiveling screen, the better IQ or AF, then go ahead. I have the D80 and D Nikon all lenses work great.
If you want to see some of the work go to www. I love the Nikon D Absolutely correct!! Sorry independent camera stores but for the past fifteen years, I have been recommending Costco to all of my students and friends seeking a new camera. Camera stores offer free training but, short return policies. Costco offers a 90 day return policy. The longest in the world, for all I know!. The packages offer training discs and free on-line tutorials are even better.
Ken Rockford for one If you can't decide if you like the camera in 89 days, keep your old one! I trade cameras every three years. I have been a Nikon user since the 40's. I would call it the easiest and most understandable camera I have ever used. Mike Wasilla, my hat's off to you. Good shooting enthusiasts.
I'm still traveling with my cameras and sweet wife at Depends on what kind of photographs you wish to shoot, i. Both companies' lens portfolio is excellent. If size is one of your main concerns, you should look into mirrorless cameras as well. I am interested in getting one later this year. I shoot on location most of the time and I think this is just perfect for what I need.
I just wanted to ask about your experience with it. How do you find the re-designed grip? Also, When you shoot bursts, Are you able to preview the images even when the card is not finished writing all of it? The grip is excellent, feels perfect for my hand. Suggest you to try it to see whether the camera fits your hand size.
As for burst shooting, I do not think you have time to preview the images as the buffer is usually clean with in a second.
This applied to zoom settings as well. Has anyone else experienced this? I seldom, if ever, used the limited video on my D Informed views, please. With thanks to AwsomeIan. The D is a much smaller camera than the D90, D and D So unless you need the flippy screen or the smaller body get the D or D I'm contemplating of getting a D over a D as a 2nd body for my D, to be particularly used with my so I get more than mm at 24MP.
I know the D is "better," but the D is cheaper, smaller, lighter and has a flippy touchscreen. The one test the reviewers have not done is to try it in Lightroom 5. The one factor that is very important, when you shoot with RAW generally, you have to edit and review the photos. I tried viewing Picasa. It puts a red filter over the photo. In LR it will not give a preview nor will it import. I have tried installing camera raw 9.
The rest of the camera works great. I would suggest if you are a RAW user to check this problem out first. Try that, might be ok. I'm using it with my D and it's fine. Yes I have. It is a very poorly written program. I have since upgraded to version 6. Live view without showing the true exposure isn't actually live view and is almost useless.
Nikon really needs to fix this on all their cameras as well as providing a decent buffer why so stingy? I'm confused a bit It may be uncompressed 8 bit Yea I'm a bit confused on this as well. I watched the video you mention. At about the mark she shows the external monitor she is using via the HDMI port and clearly states you can't get rid of the camera information overlays so its pointless to record the signal. At the mark is where he says you can use an external recorder.
So I just don't know who is accurate on this. Id love to know since I'm interested in purchasing the D Does d sensor capable of hybrid or duel pixel AF like some of the competitor offerings Sony and Canon or is it still old sensor. How much time does it take to acquire focus in live view. Is there any improvement compared previous model which users where slow contrast focusing.
Are there any specific lens which are good at video AF. I tried this camera in the store, really liked the grip, solid build and image quality. But coming in as a Canon and Sony user, I find the clunky interface infuriating. I was hoping for the D's touchscreen to finally rectify this, but it's still slapped over the same menus, making it a novelty than a real time saving feature unlike on the Canon.
On my D, there's a dedicated ISO button, which I tap, then flick the front dial to change it without taking my eye off the viewfinder. In short, it's a consumer level body I can use professionally, whereas with Nikon, I'd have to start with a D at least just to have all the manual controls at my fingertips.
You can use the fn button on the side of the camera, along with the command dial on the back to change the ISO. It's quicker than using the touch screen on the D I then press that button and turn the dial and it would change the ISO instantly. It was the fastest way to change ISO on any camera. Even if that is not a tragedy: it would be nice if the WifI connection would support amon other the Downloads of Photos to PCs. With such a support, I would not need to catch the quite short!
Too bad that you haven't yet heard of DSLRdashboard, a free Android app that offers wi-fi control of each and every camera setting, but then again, I guess that everyone has a right to freedom of religion.
More expensive yet smilar image quality with entry models, yet more expensive and bulkier! I like electronic viewfinders, but they can be exhausting to the eye for long shoots, which is why I still use a DSLR for my work shoots.
I had a severe headache for 3 days after shooting for 6 hours straight and manual focusing to boot with my Sony A I have just bought this camera and very impressed with it, very comparable to the D picture quality wise and the tracking is also very good much better than my fuji x-T1 tracking.
Now we have flat profile for video I'm wondering why but still we can't change aperture in live view. Not to mention waveform, zebras, false color. Like they don't want to sell theirs products to people with video needs. The Flat picture style really does a great job capturing the most dynamic range of the Nikon D Using an EVF or a monitor and lenses with aperture control help when shooting video with this camera. I might be biased though as I don't have large hands. Nikon D is missing dept.
I checked the out at BestBuy today and compared it with the , and I think I like the grip on the better. There's more space for your hand between the grip and the lens on the And the size difference is barely noticeable if at all. Anyone who isn't a complete novice will probably want the which isn't much bigger than the though way more versatile. But all in all, a really nice camera.
That's true, I went for the D only because I didn't have the cash for D But it's also a good start for a first time dslr. Especially because of nice image quality, similar or same like more expensive models. I am waiting for Nikon to make a dx dslr that has articulated screen with buit in motor drive. Something like a D with the articulated screen. Lots of luck ever getting a built-in motor drive on a D class body. I wouldn't hold my breath.
I guess I used the wrong word, not so much a motor drive as in shutter releases. But a built in focus motor I guess is what I mean. I was refering to the I would like a Nikon with built in focus motor and a articulated screen, thats a dx camera. I can't afford an FX model. Sorry for the confusion. Yes me too! I have a three AF screw lenses they were a gift. Still a newb though. WE ARE waiting for it!!!!! One good viewfinder away from being a really good deal for its class.
Pentax historically have pwned in this category- much larger viewfinders in their class. Sorry with EVFs being so good, a lack of a really good optical finder like this is a big issue with me. These small viewfinders rebel cameras too are so half a decade ago old. Does anyone have any insights on the lack of a front control dial?
Surely it can't cost a great deal? I imagine there are many photographers who would be absolutely fine with the AF, FPS etc of the D, and may not even care about a second LCD, but would have to really consider going up to the D7xxx just for that extra manual control. I'd like to think it's not an entirely cynical move, maybe some people are afraid of the extra controls?
But honestly can't those people just keep using auto and ignore an extra dial anyway The reason is they want you to go to the more expensive model for that extra dial. They try hard to make a distinctive difference between their models. It's just a software feature.
What I ended up doing with the D is dropping the exposure compensation by that amount and then bracketing, which worked fine in most situations. I too Encounter with my D the overexposure problem by the way, it was a Problem, that i did not Encounter with my beloved but old D Can I please ask you a question: When bracketing with the D Around one 10th of the times?
Or less? Does the D have a way to bias the meter, like you can with the D, D, etc. Momentarily forgetting. Can check tomorrow It'd be in the metering menu, btw.
Rishi: my sincere apologies. It is only now, that I realized that you were answering my question to another team-member of the excellent dpreview team. Yes, with the D too I can bias the meter; either through the "exposure compensation" button as Jeff described in his review; or through the "Brightness" Option of "Picture Control Settings".
The Problem however, is that such biasing will also affect those many fotos that would otherwise be correctly metered. This is just shifting the problem from one subset of photos that would be otherwise overexposed to another subset of photos that would otherwise be correctly metered. In his review, Jeff therefore suggested use of Exposure bracketing. Hoping Nikon will address the problem. Pretty sure Jeff was commenting that the camera in general overexposes by a bit. You should be able to fix this by biasing the meter, but honestly I can't remember if the D has this option.
The higher end cameras do. Just kidding, of course :. I was considering the D and even the D's still lying around just to save a little coin. But no, once I held the D in my hand, the decision was made instantly. Please stop speaking about a product you didn't even handle. I bought D though I was reluctant in the beginning.
The articulating screen is another boon I'm not going to pass, this is why I discarded D Actually, D competes with my Sony RX10 for street photography and events.
I took the kit, and I'm satisfied with the new kit lens that is way better than the I had with my D Read more. Nikon has released firmware version 1. But what about sports photography? We decided to bring it to the soccer field and pit it against a DSLR to see if it could keep up. The results? Find out here. We were also able to ask pointed technical questions regarding innovative technologies in Nikon cameras, and the answers were very enlightening. Click through to read the interview.
The Sigma 20mm F1. Does it take pretty pictures though? We have the answers. Sigma's been on a roll with their mirrorless Art series lenses. Does the new 24mm F1. It brings a new, 25MP sensor and bit 4K capture at up to p. We've put it to the test, both in the studio and out in the field.
In our tests it delivers big performance and offers a few good reasons why you might choose a 12th-Gen Intel laptop over a Mac. Canon's high end APS-C mirrorless camera has plenty of compelling features, but is it worth the price?
Jordan took it on vacation to find out. These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important.
In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
If you're looking for the perfect drone for yourself, or to gift someone special, we've gone through all of the options and selected our favorites. Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media. The latest version of Sigma's 20mm F1.
Check out our gallery, including some astro images, to see how it performs! Two of the GPUs are designed for workstation desktops, while a third is for laptops.
This second-generation adapter is smaller, faster and quieter than its predecessor. Midwest Photo was robbed late last week after a stolen truck broke through the store's front entrance. The store is in the progress of recovering from the damage and stolen goods. Photographers should be on the lookout for any suspicious product listings online. Travel with Peter to see how he shoots, and view some of the spectacular photos he captures along the way. Includes sample gallery. We go hands-on with Sigma's latest 'Digital Native' wide-angle lenses for L-mount and Sony E-mount cameras to see what features they have and what sets them apart from the rather limited competition.
Sony has announced in-camera forgery-proof photo technology for its a7 IV mirrorless camera. The technology, aimed at corporate users, cryptographically signs images in-camera to detect future pixel modification and tampering. It uses tracks, cords and hooks to store your gear flat against the wall without hiding it from view.
The new Sigma 24mm F1. Check out our sample gallery to see how sharp it is, as well as how it handles flare, chromatic aberrations and sunstars. Sigma's new 20mm F1. Chris and Jordan run through their absolute favorite lenses for Sony E-Mount, including both Sony lenses and third party options.
Nikon has released the financial results for the first quarter of its fiscal year, revealing increased year-over-year revenue and profits. Alfie Cameras is launching its Alfie TYCH next month on Kickstarter, but before then it needs beta testers to see how its triple lens half-frame camera performs. NASA is preparing for a simulated Mars mission that will house four crew members in a module on Earth.
The crew will remotely control drones and rovers to collect rock samples on a simulated Mars. Skypersonic, a remote control drone company, is supplying mission-critical technology as part of the mission. The explosion created one of the most energetic short-duration gamma-ray bursts ever observed. The Tamron Lens Utility Mobile app is set to launch later this year. The app will let you use your compatible Android device to control, customize and update compatible Tamron lenses without the need for a computer.
The images, which appear to be screenshots from a press briefing, reveal some of the details of the forthcoming lens. The Peter McKinnon camera tool features a patent-pending design that features integrated Phillips and flathead drivers, as well as extendable arms capable of holding four other bits that can be swapped out to fit your needs.
Nikon has updated the firmware for its Nikkor Z 50mm F1. Is this good or bad for the industry, and what are the long-term implications? Reading mode: Light Dark. Login Register. Best cameras and lenses. Now reading: Nikon D Review comments. Previous 1 Introduction. Nikon D key features And that's about it as far as major changes go. Tags: review , nikon. Next page. Nikon D Discuss in the forums See full product details View sample images.
We are retrieving offers for your location, please refresh the page to see the prices. View Comments Comments All Using a visual display or auditory using headphones to monitor audio levels. This helps keep audio levels at their optimum level. It also helps to minimize degradation.
They can be hardware or software based; regardless of type, the scale and ballistics of the meter are important characteristics. When you take pictures underwater, the water itself sometimes causes distortion to occur. The Auto Distortion Control, available on select cameras, automatically compensates for this.
In Auto Exposure mode, the camera automatically adjusts the shutter speed and aperture for the optimum exposure for the scene being photographed. A system of sensors and motors that allow lenses to obtain focus automatically; in some cameras, the system also allows the lens to maintain focus on a moving subject. Auto FP High Speed Sync is a flash mode used for fill-flash photography under brightly lit conditions.
It will fill in and open up shadowed areas in order to portray the greatest detail in subjects. It's also ideal when using wide aperture lenses, and because it allows up to the fastest shutter speeds on compatible Nikon DSLRs, it is often used for action-stopping sports photography.
And for portraits, you can open up your lenses to their full aperture in order to isolate your subject against a blurred background without overexposing the image. When Auto FP High Speed Sync is selected, the flash will fire for the duration of the shutter curtain's travel, thus syncing with the camera's shutter speed when that speed is set higher than the camera's normal sync speed.
For instance, when there is enough light to use ISO , the camera does so, but when it would have to use too slow a shutter speed, then it automatically increases the ISO to and maintains a high enough shutter speed to avoid camera shake.
Some Nikon digital cameras let you choose from a range that you're willing to shoot within, such as ISO — With automatic exposure AE the camera's computer and metering system automatically select the aperture and shutter speed for a correct exposure. A feature that sets the camera to take a series of pictures usually three at different exposure settings.
The shutter will only be released snap a photo if the camera is able to focus. Auto Slow Sync is a flash mode that is used when shooting portraits at night. It is used when shooting portraits against a backdrop of night scenery. Use of a tripod is suggested, to prevent blurring caused by camera shake.
In Nikon D-SLRs, Auto White Balance combines with the Scene Recognition System to analyze each scene's light sources, cross-referencing this information with 5, actual picture data examples from over 20, images in the camera's onboard white balance database.
A digital camera's white balance setting compensates for the different colors of various light sources—fluorescent, which has a "green" cast, or a cooler-than-daylight light balance; incandescent, which has a "yellow" or a warmer-than-daylight white balance; and daylight—so that white objects in a scene appear white regardless of the color temperature the warmth or coolness of the light source.
Even under mixed lighting or difficult light sources like mercury vapor lights, auto white balance technology calculates an ideal white balance for remarkably faithful colors.
For a thorough understanding of white balance and how it influences the final image, read Lindsay Silverman's article Setting White Balance.
This scene mode, available on select Nikon digital cameras, is designed to take vivid photographs of scenes with colorful red and yellow autumn leaves. Advanced Video Coding is a standard for video compression.
Refers to a connection port for output of audio and video from a Nikon camera to a television using RCA plugs composite yellow for video with mono white or stereo white and red for audio.
General term for anything behind the main subject in a photograph. Lighting that illuminates the subject from a position opposite the position of the camera.
Refers to the effect seen when shooting underwater and the fine suspended particles in the water are illuminated by flash lighting close to the camera's lens, and show up on film or the digital image. A safety precaution against losing precious image or other electronic data. You can back-up one image file or an entire computer's worth of data.
If the original file s are lost or corrupted, you can restore them with a back-up copy. An image composed to create a harmonious distribution or arrangement of objects, tones or patterns. Bandwidth is the maximum throughput or capacity that a computer network can handle. A lens effect in which the straight lines in an image appear to be inflated or sphere shaped. Select Nikon battery chargers, which are used for newer rechargeable Lithium Ion batteries, are equipped with a battery calibration feature.
Calibrate the battery as required to ensure the accuracy of the camera and charger battery level displays. A scene mode available on select Nikon digital cameras, that lets you capture the brightness of beaches or sunlit expanses of water with the correct exposure in such a brightly lit situation. A scene mode available on select Nikon digital cameras, designed for use when taking photos of snow in bright sunlight or brightly lit sandy beaches, ensuring the exposure is correct for the bright scene.
A flexible, light-proof enclosure placed between the camera and the lens for close-up and macro photography. The desired reproduction ratio can be obtained by adjusting the bellows. Provides a higher reproduction ratio than extension rings. This mode, available on select Nikon 1 digital cameras is ideal for fast, hard to capture subjects.
By selecting this mode, you can choose to release the shutter as the scene plays back in slow motion Slow View or let the camera choose the best shot Smart Photo Selector. Bi-directional B frames are encoded based on an interpolation from I- and P-frames that come before and after them.
B-frames require little space, but can take longer to decompress because they're reliant on frames that may be reliant on other frames. This Scene Mode will assist you in taking photos of birds in the wild. When chosen, this mode allows you to select Single or Continuous. A unit of measurement indicating the information capacity of one binary digit. A pixel-by-pixel description of an image, where each pixel is a separate element. A feature of Nikon digital SLR cameras, the blinking highlights display indicates areas of the photograph in which highlight detail is missing.
When using this feature, the camera detects that a human subject may have closed their eyes immediately after it recognizes the face. When this happens, the "Did someone blink?
A scene mode available on select Nikon digital cameras that is designed for taking great photos of fields of flowers or other landscape that are full of blossoming flowers. Bluetooth is a proprietary open wireless technology standard that is used for the exchange of data over short distances.
Bluetooth can connect several devices together, whether fixed or mobile. It can store six times more data than a DVD. The name refers to the blue laser used to read the disk. Blu-ray disks normally have a capacity of 25 gigabytes. Double sided Blu-ray disks have a capacity of 50 gigabytes. Refers to a flash unit aimed at a reflecting surface, such as a wall or ceiling, to illuminate the subject with reflected light.
An exposure technique to assure an accurate, or preferable, exposure by shooting a sequence of images at different settings. When photographing a portrait subject, broad lighting is the technique whereby you place the main light on the side of the face which is facing the camera and light source. It is often used to give a fuller look to the subject's face. An exclusive Nikon technology, Best Shot Selector automatically selects the image with the sharpest focus from a series of up to ten consecutive images; only the sharpest shot is saved to the memory card.
When Best Shot Selector is chosen, a series of images are stored in the camera's memory where they are evaluated by the camera's computer. The single image with the highest level of detail is then automatically transferred to the memory card.
Memory in a camera or digital device that stores information before it is written to a storage source. The action of the digital camera preloading data into a reserved area of its memory.
Certain Nikon cameras feature modes that utilize the buffering of image or video data specific to the chosen mode. With regards to the Nikon 1 camera system, the camera fills the buffer with data before the shutter is fully depressed.
When using the Smart Photo Selector mode, the camera stores this pre-recorded data and can access it if the data holds the best shots taken. When using the Motion Snapshot mode, the video captured before and after the still image is captured is stored in the camera's buffer for use in creating the final Motion Snapshot.
A shutter speed setting that holds the shutter open for as long as the shutter release button remains pressed. Commonly used for long time-exposures. When using the Bulb setting, use a cable release to make sure you don't cause camera shake.
Selectively darkening part of a photo using an image editing program or a mechanical technique in a traditional darkroom. The digital SLRs' version of a film camera's motor drive sequence.
A lighting technique that is flattering when used with most portrait subjects. It is called Butterfly lighting because of the distinctive butterfly shaped shadow that is present under the subject's nose from the placement of the light s.
The main light is placed above and in the same direction the subject is facing and so produces even, soft light. A unit of measurement of information storage equaling eight bits. A wire and button device designed to allow photographers to trip the camera's shutter without touching the camera.
Generally used with a tripod-mounted camera to insure even greater steadiness. Nikon software that provides simplified remote control of Nikon D-SLR cameras from a personal computer. Picture Control Utility: In certain Nikon digital SLRs such as the D3, D, D, D90, D and D, customized image adjustment, including tone compensation curve data, can be saved to tailor the camera's behavior to the photographer's vision, improving efficiency when using multiple cameras at the same time. Software is compatible with Wi-Fi operation.
Also compatible with Nikon's Image Authentication Function. For more information about Camera Control Pro 2, click here. Photos taken of people acting in a natural, spontaneous, unposed way. Often used to describe a category of wedding photographs. A scene mode available on select Nikon digital cameras that allows you to capture the ambient lighting of a candlelit scene. A device used by photographers to read the image data on media cards. A card reader connects to computer via USB or FireWire and allows for the fast and easy downloading of image data from the card to the computer.
It is more efficient than connecting the camera to the computer via USB to view or download images. The reflection of a light source in a subject's eyes.
Intentionally creating a catchlight by providing a small amount of illumination with a flash or reflector can make your subject look more vivid. Charge coupled device, one of the two main types of image sensors used in digital cameras. A color compensating filter. It enables you to make fine adjustments of color tone or color density in color photography.
A compact disc that holds up to megabytes of digital information. A CD-R disc can be written to only once. Ideal for long-time storage of data or photos. Not preferred for long-time storage of data or photos. Meter sensitivity is biased toward the center of the viewfinder. Recommended when the subject is in the center of the picture. A knob that simultaneously controls the focus in both barrels of the binocular. A scene mode available on select Nikon digital cameras.
The Child scene mode is used for photographing snapshots of children; skin tones will appear natural and soft while clothing and backgrounds will be vivid. A phenomenon in which light rays passing through a lens focus at different points, depending on their wavelength. Axial chromatic aberration is a variation in focal length; lateral chromatic aberration, a variation in magnification.
Lateral chromatic aberration: Light wavelengths differ depending upon color. Differences in the length of the wavelengths result in changes in image magnification and become visible at image peripheries.
Lateral Chromatic Aberration is the cause of color fringing. Lateral chromatic aberration is reduced to some degree by combining different lens elements with different refractive indexes, but optically speaking, it cannot be completely eliminated. In addition to red and its complimentary color, cyan, and blue and its complimentary color, yellow, some lenses may exhibit complex color fringing that combines these two primary types.
It is greatly reduced by low-dispersion ED glass. A person who uses a motion picture camera to record the actual film footage shot during the making of a motion picture. Director of Photography is an equivalent title. On large budget "Hollywood" productions, cinematographers or director's of photography are responsible for the artistic and technical decisions related to capture of the film or digital video, as many of today's motion pictures are being recorded using digital capture devices.
The art and science of photographing a motion picture. The cinematographer is responsible for capturing the actual film footage using a motion picture camera which can be film or digital based.
Nikon Inc. Live view not used. Real life results will vary depending on factors such as temperature, use conditions and the number of times the battery is recharged. In photography, the circle of confusion CoC is used to determine the depth of field, the part of an image that is acceptably sharp.
A standard value of CoC is often associated with each image format, but the most apprpriate value depends on visual acuity, viewing conditions and the amount of enlargement. Properly, this is the maximum permissible circle of confusion diameter limit, or the circle of confusion criterion, but is simply called circle of confusion.
Real lenses do not focus all rays perfectly, and so, even at best focus, a point is imaged as a spot rather than a point. The smallest such spot that a lens can produce is often referred to as the circle of least confusion. Converts linear polarized light waves to circular polarized light waves. Required whenever polarizing is desired using autofocus cameras and cameras that have semi-silvered reflex mirrors. When shooting a Cityscape Time-lapse movie, an option available in select Nikon cameras, the camera shoots at a pre-defined interval for 10 minutes, creating a final 10 second time-lapse movie in the camera.
This innovative technology improves screen visibility for a more vivid, clear image when taking and sharing pictures. Reflections are minimized while contrast and power savings are improved. These lenses provide an easy way to increase magnification. Even when attached, you can use automatic exposure control and TTL metering. All lenses are treated with Nikon Integrated Coating to improve contrast and reduce flare.
The higher the close-up lens number, the closer you can focus. Close up is a scene mode available on select Nikon digital cameras used to photograph small objects and subjects at close range. Cloudy is a white balance setting. When manually setting the white balance on your digital camera, and shooting under cloudy lighting conditions you use the cloudy setting to balance the available light so it is captured correctly by the camera. Complementary metal-oxide semiconductor, one of the two main types of image sensors used in digital cameras.
The resulting improvement in noise and sensitivity reduction makes the select COOLPIX cameras more capable when shooting night scenes or in dark indoor situations. Cyan, magenta, yellow and black, the primary colors used in commercial color printing from which all other printing colors are derived. If the white balance of a scene does not match the lighting under which the scene is being photographed, a color cast can occur. For example, daylight is normally cooler than incandescent lighting, so if you photograph a subject lit by an incandescent light and the white balance of the camera is set for daylight, the image will look warmer because that type of lighting is warmer orangeish in color than daylight.
If the camera was set for incandescent and you photograph a subject in daylight, the image would look cooler blueish. A filter that alters the color temperature of light to make it suitable for the film in use. It enables you to use daylight-type film indoors or tungsten-type film outdoors. The camera detects and colors the outlines of subjects in the scene for a color sketch effect. When shooting D-movies in this mode, the video playback looks like a slide show made up of a series of still photos.
A scale used for rating the color quality of light. Measured in degrees Kelvin K. The temperature of daylight on a sunny day is expressed as K; light from a tungsten lamp, K to K. The image of a point source of light is prevented from being brought into focus, but instead appears shaped as a comet or teardrop. Coma can be reduced by stopping down the lens. For cameras that offer this feature check your manual to see if yours offers this feature the D-SLR's built-in flash or external accessory Speedlight can be set to Commander mode, which makes that flash the master flash, controlling remote optional flash units in one or more groups.
Compact binoculars are small, lightweight and convenient, and they can be taken anywhere binoculars are needed. A type of storage card, available in a range of capacities, that's used in digital cameras to store images captured by the camera. The card can be erased when the images have been transferred or are no longer needed. Special care should be taken when changing lenses in order to avoid the possibility of dirt or dust entering the camera.
Once inside the camera, foreign matter may adhere to the low-pass filter and show up in photographs. To help prevent the appearance of these artifacts in photographs Nikon has created the Comprehensive Dust Reduction System.
This system uses a series of high resonance frequencies to vibrate the optical low-pass filter. This dislodges dust on the front of the sensor and reduces dust spots appearing on images. This system combined with the existing Image Dust Off system in Capture NX 2 provides a full dust prevention system for photographers. Sensor cleaning takes approximately three seconds to complete. If the shutter release is depressed during a sensor clean, cleaning will be cancelled.
This enables images to be taken even if a sensor clean has started. Refers to reducing the quality of digital data in an effort to conserve storage space. For example, the JPEG file format is a compressed format. Continuous is one of the shooting options found in the Auto Mode of select Nikon digital cameras. Continuous allows you to take a series of pictures. Depending upon your camera model, the battery life and remaining memory in the buffer Continuous High lets you take more frames per second than Continuous Low; however if the flash is fired, only one picture will be taken.
Depending upon your camera model, the battery life and remaining memory in the buffer Continuous Low lets you take fewer frames per second than Continuous High; however if the flash is fired, only one picture will be taken.
A mode of autofocus in which focus detection continues as long as the shutter release button is lightly pressed. Continuous is one of the shooting options found in the Auto Mode of Nikon digital cameras. The camera will take one photograph each time the shutter button is released. Continuous Single is often the default setting. A measure of the rate of an image's change of brightness. High contrast implies dark black and bright white content; medium contrast, a good spread from black to white; low contrast, a small spread of values from black to white.
Used with black-and-white film to emphasize contrast in a picture. Yellow Y , orange O , and red R filters are available with contrast increasing in this order. Used to describe changes in apparent magnification when a 35mm lens is used on a D-SLR with a sensor smaller than 24mm x 36mm. The trade name for film scanners manufactured by Nikon. The Close-Range Correction CRC system is one of Nikon's most important focusing innovations, for it provides superior picture quality at close focusing distances and increases the focusing range.
With CRC, the lens elements are configured in a "floating element" design wherein each lens group moves independently to achieve focusing. This ensures superior lens performance even when shooting at close distances. The Creative Mode is a shooting mode found on the mode dial of the Nikon 1 J2 camera.
The Creative Mode is only for shooting still images, and will not work in movies mode. This is a new feature in the Nikon 1 V3. The camera will automatically detect one of four scenes: portrait, close-up, landscape or other and will then display a ring showing four effects that can be applied to the scene.
Brightness, saturation and white balance will change between the different effects as a finger is rotated around the ring or the multi-selector is rotated, so what you see is what you get.
Curvature of Field is a phenomenon in which straight lines are not rendered perfectly straight in the picture. Curvature of field can be improved but not eliminated by stopping down the lens. The Nikon 1 digital cameras utilize the CX format imaging sensor.
The optical path at the objective side and eyepiece side is virtually straight, making it possible for the binoculars to be compact and slim. They are more costly to produce because their very small prisms require special grinding and polishing to maintain image integrity. A film balanced for proper color rendition when exposed in daylight. A lens which allows the photographer to control the degree of spherical aberration in the foreground or background by rotating the lens' DC ring.
This will create a rounded out-of-focus blur that is ideal for portrait photography. With the DC control set at zero, a DC-Nikkor lens operates in the same way as a non-DC lens with the same focal length and maximum aperture.
The Delayed Remote mode is used when shooting with select Nikon cameras and the ML-L3 remote control, to ensure no camera shake will occur. The Delayed Remote sets the camera's shutter to release between 2 - 10 seconds after the shutter button on the ML-L3 remote control is pressed. Available in select cameras such as the Nikon 1 AW1.
Calibrate the Depth Gauge on the surface before you enter the water, setting it to zero. The zone of acceptable sharpness in front of and behind the subject on which the lens is focused.
Depth of field varies according to focal length of the lens, chosen aperture and shooting distance. A feature on advanced SLRs that closes the lens down to the actual taking aperture to enable you to see the picture's depth-of-field. A measurement of the distance behind the lens wherein the film plane will remain sharply in focus. Depth of focus is sometimes referred to as lens-to-film tolerance. The mechanical device inside a lens that controls the aperture.
Any device or substance placed between the central light source and the subject that softens or spreads the light. Technique of taking film or digital still images or video by attaching a camera to a Fieldscope or Spotting Scope.
Digiscoping lets you capture photographs without the use of traditional photographic lenses. Bird watchers and naturalists are some of the people who capture close-up images of wildlife by digiscoping.
An image that is represented by discrete numerical values organized in a two-dimensional array. The conversion of images into a digital form is known as digital imaging. Photography that utilizes a digital camera to produce the image. The digital zoom uses software interpolation to "zoom" into the image further than the actual optical zoom lens in the camera allows. Because digital zooms use interpolation instead of an actual zoom lens, the resulting image will be of lower quality.
Conversion of analog information into digital format so that it can be used by a computer. A measure of lens power equal to the reciprocal of the focal length.
Eyeglass prescriptions are generally indicated in diopters. For cameras, the diopter is used as the measure of the dioptric power for the image in the viewfinder. A separate diopter control allows you to compensate for the difference in eyesight between your right eye and left eye by offsetting the lenses in the two barrels so the image is sharp for each eye. Apparent image distance through optics such as viewfinders. Rated in diopters. A plus sign is used for positive lenses, a minus sign for negative lenses.
The term used to describe optical storage media compact disc. The term used to describe magnetic storage media floppy disk. A phenomenon in which white light rays deviate by different wavelength amounts resulting in a spectrum.
The rainbow created by a prism is the result of dispersion. There are three types of distortion that could affect the shape of the image: Barrel : image deformation causes a rectangle to swell in the center, looking like a barrel the corners of the rectangle are greater than 90 degrees ; Pincushion : image deformation causes the sides of a rectangle to move inward, forming a pincushion or star shape the corners of the rectangle are less than 90 degrees ; or Combinations : the two types can also be combined.
Distortion cannot be corrected by stopping down the lens. It can be improved by the optical combination of positive and negative lens elements. The feature ensures precise subject reproduction and avoids the image distortion that occurs at wide-angle zoom settings or at the peripheries of an image. A function built into several Nikon D-SLRS and into Nikon's Capture NX2 imaging program that allows you to brighten subjects that have been underexposed or enhance the contrast of an overexposed subject.
Capture sound with the on-board microphone or through the external mic input on select models for vocal memories. The dramatic impact of your movie making is leveraged by the legendary line of NIKKOR lenses, from ultra-wide-angle and fisheye to super-telephoto. The camera's Live View capability makes D-Movies possible.
Live View is essentially a video image, played back to the LCD monitor in near real-time for viewing. D-Movie mode records that image to the camera's memory card.
D-Movies are enhanced by the fact that they are made using NIKKOR lenses, which provide an incredible choice of focal lengths as well as legendary optical quality.
They also benefit from an image sensor much larger than a typical camcorder, resulting in higher image quality and exceptional high ISO performance during low-light shooting. Selectively lightening part of a photo using an image editing program or a mechanical technique in a traditional darkroom.
Two exposures on the same frame. With film cameras, the film is not wound forward after the first exposure. In digital photography, a double exposure is most commonly made by combining two images using an image editing program. A file or other information transferred from a camera, media card, CD, DVD, hard drive or the Internet to a computer or from one piece of computer equipment to another. Moving computer data from one location to another.
Though the term is normally used to describe the transfer of data from the Internet, it is also used to describe the transfer of photos from a camera's memory card to a computer. Dots per inch. A measurement of the resolution of a digital photo or digital device, including digital cameras and printers. The higher the number, the greater the resolution.
It allows users to choose which images they wish to print, from the camera. The camera saves this information in special files on the media card for use at a later time when the images are downloaded to a computer, printer or photo kiosk.
When using a COOLPIX digital camera with a touchscreen display, you can draw pictures or write memos on the display and save them as photos using the Draw scene mode.
After the DSCN, a file number will be automatically assigned in ascending order. The camera measures the amount of light reflected from the subject through the lens to automatically control flash output level and give correct exposure. Certain Nikon digital cameras such as the Nikon 1 V1 digital camera utilize a dual shutter system, allowing you to choose from Mechanic, Electronic or Electronic HI shutters depending upon your shooting situation.
The Electronic Shutter is silent and is ideal for use where camera sounds are undesirable. The Electronic HI Shutter's default setting captures images at a rate of 10 fps. It does support 30 and 60 fps frame rates. Face detection is disabled when using the Electronic HI Shutter. This scene mode preserves the colors seen in the weak natural light that is visible before sunrise or after sunset.
It is suggested a tripod be used when shooting in this scene mode. Digital Video Disc. Most commonly used for movies and video data, its high capacity—4. Film that features embedded information that allows the camera to automatically set the film's speed.
Refers to Nikon cameras that feature a 1. The FX sensor, measuring The DX sensor is smaller, measuring The DX sensor makes possible the production of lighter, smaller cameras, but because it covers a smaller portion of the image projected by the lens, a 1. This means, for example, a 24mm lens on a DX sensor camera will provide an approximate 36mm view. Photographers use "dynamic range" for the luminance range of a scene being photographed, or the limits of luminance range that a given digital camera or film can capture.
The dynamic range of sensors used in digital photography is many times less than that of the human eye and generally not as wide as that of chemical photographic media. Easy Panorama is a scene mode available on select Nikon digital cameras that makes it very easy to take a degree or degree panorama simply by panning the camera during exposure.
When the Compass display is set to ON, it is displayed on the shooting screen. Although the E-Compass can be utilized for general use, it should not be the only GPS device that you rely on when hiking in the wilderness, boating, driving, flying, mountain climbing or any other specialized application that requires stringent positioning.
An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations. The actual numbers of pixels the camera's sensor uses to make the image. The number of effective pixels is often slightly smaller than the total number of pixels, as some pixels are not used in the actual making of the image.
An electromagnetic diaphragm mechanism in the lens barrel provides highly accurate electronic diaphragm or aperture blade control when using auto exposure during continuous shooting.
Encapsulated PostScript. A graphic file format that allows the exchange of PostScript graphic files between application programs. Exposure Value. A number that represents available combinations of shutter speed and aperture offering the same exposure effect when scene brightness remains the same. An exabyte is a unit of information equal to 1, petabytes or approximately 1,,,,,, bytes.
One such option is Exchange Messages, which allows you to add voice messages to your images. You can even add responses to initial voice messages. Exchangeable image file. The file format used by most digital cameras. Light that exists naturally at the scene. Also known as available light, it's often taken to mean only daylight, but many photographers consider it any light or light source that happens to be at the scene.
The exit pupil is the bright circle that can be seen in the center of each eyepiece when you hold the binoculars about 12 inches away from your eyes with the objective lenses pointed toward a bright light. The larger the diameter is, the brighter the viewfield is, which is an important consideration when using binoculars in dark situations and for astronomical observation.
EXPEED 4 is engineered to maximize performance speed, contributing to quicker response time, faster memory card access and data transfers. EXPEED 4 has evolved with the development of new Nikon technologies as well as the improvement of existing technologies.
Nikon will continue to improve upon its EXPEED image processing systems to provide photographers with maximum camera performance and the highest quality images possible. EXPEED 5 is engineered to maximize performance speed, contributing to quicker response time, faster memory card access and data transfers.
EXPEED 5 has evolved with the development of new Nikon technologies as well as the improvement of existing technologies. EXPEED C2 continues to expand the possibilities of photography with improved levels of high image quality, fine detail and processing speed. The process of transferring data from one computer, file format, program or device to another.
The total amount of light falling on the film or image sensor. Most often measured in the amount of time the light is allowed to reach the sensor, as in "a one-second exposure. Often used to produce special creative effects or to meet the scene requirements. A display showing the amount by which a photograph recorded at the current aperture and shutter speed will deviate from the optimal exposure selected by the camera. Also known as Extension Tubes. An Extension Ring is a device placed between the lens and camera body to extend the lens-to-film or imaging sensor distance for closer focusing.
Available in various sizes, extension rings can be used singly or in combination to vary the reproduction ratio. Nikon cameras using these support them in Manual focus mode only and they are considered non-CPU lens attachments. A flash unit that operates off the camera. It can be connected to the camera by a cable or fired wirelessly. The outer ring around the eyepiece that provides the proper eyepoint in relation to the exit pupil. Attaches to the viewfinder eyepiece for eyesight adjustment.
Some cameras have this adjustment built-in. Eyepiece Lens ocular is the lens closest to the eye and magnifies the image formed by the objective lens. Various techniques have been integrated into the eyepiece to meet recently rising demand for binoculars with long eye relief and wide viewfield.
Attaches to the camera's viewfinder eyepiece to magnify the image for easier manual focusing. Especially useful for manual focusing on subjects with fine detail. A built-in device that prevents light from entering the camera's viewfinder eyepiece and adversely affecting the automatic exposure meter reading.
Useful for unattended shooting and self-timer-operation. The farthest point on the optical axis where the entire image inside the viewfinder can be seen. Eye relief is the distance from the outer surface of the eyepiece lens to the position where the exit pupil is formed eyepoint.
Looking through binoculars from the eyepoint, you can obtain the whole field of view without vignetting. Slang term, often used by professional photographers, for a fast lens with large maximum apertures. Because such a lens will allow more light to reach the film or image sensor, it will allow the use of faster shutter speeds. Record silent fast-motion footage that plays back at about four times normal speed.
Playback is one quarter the recording time. A button on select Nikon digital cameras that gives you acces to select features. The lateral measurement of the area that can be seen at yards. Calculated by multiplying the real angle of view by A computer document; also, a collection of information, such as data, images or text that can be saved on a disk or a hard drive. A technique that uses flash illumination as a supplement to ambient light. Useful when photographing subjects that are backlit with very high-contrast lighting or in shadow.
A plastic or glass lens that fits in front of the camera lens and is used to manipulate or affect the final image. Placed between a filter and the lens when attachment size differs. A protocol for transferring data to and from digital devices at high speed, often up to megabytes per second. This scene mode uses slow shutter speeds to capture the exploding bursts of fireworks. Firmware is a read only set of instructions that is embedded in a hardware device to either add or improve function.
Sometimes there are two parts to a Nikon firmware update labeled A or B. Some updates will perform either A or B, and some will perform A and B, only one at a time. Some others still will perform both A and B at the same time. Please read the instructions carefully as firmware updates are permanent and cannot be 'undone' outside of the service department. Newer firmware versions will overwrite older versions and will also include all previous update changes.
A first for Nikon flash units, the latest firmware for specific Nikon Speedlights can be downloaded from Nikon's website to a memory card while the Speedlight is mounted on certain Nikon D-SLRs. A lens that has a picture angle of approximately degrees or more. A Special Effect that is available on select Nikon digital cameras, which produces an image that looks as if it was taken with a fisheye lens.
The file size will be smaller than one with a variable bit rate. Because of the smaller size obtainable with a fixed bit rate, it is better for uses of streaming content over the internet.
Refers to a lens in which the focus is fixed at the time of manufacture and is not adjustable. These lenses are most often used in single-use cameras.
They are also found in phone cameras and webcams. The soft effect visible in a picture resulting from stray light passing through the lens that is not focused to form the primary image. Flare can be controlled by using optical coating, light baffles, low reflection surfaces or a lens hood.
An electronic unit that provides a relatively brief burst of light. A type of camera memory card that can retain data after the system has been turned off. Also known as a flash memory card or media card.
Nikon Speedlights provide improved color accuracy in flash photography thanks to flash color information communication. In Auto White Balance mode, the master Speedlight—the unit attached to the Nikon D-SLR, transmits information to the camera about the color temperature of the light that it is emitting. The information is used by the camera to determine a white balance setting that best matches the color temperature of the flash to the color temperature of the scene's ambient light, thus allowing the camera to achieve optimum white balance for the scene.
Refers to the very short amount of time it usually takes for a flash to fire. Automatic flash control varies the brightness by varying the duration of the flash. This feature allows you to add exposure compensation to the amount of flash output that a built-in pop-up Speedlight or accessory Speedlight can output.
When a Nikon digital camera with a built-in flash is set to OFF, the flash will not fire, even if the lighting is poor, or the subject backlit. The distance over which a flash can effectively provide light. The speed at which a flash synchronizes with the opening of the shutter. A function of the Nikon Creative Lighting System, Flash Value FV lock maintains the same flash exposure for your main subject when you're shooting a sequence of photos.
This allows you to zoom in on your subject, change the composition or adjust the aperture, all without altering the intended exposure. Once FV Lock is set on your Nikon Speedlight, the flash value remains at the locked in setting until the FV Lock is pressed a second time, the camera's light meter times out or the camera is turned off.
Flash is a white balance setting. When manually setting the white balance on your digital camera, and taking pictures using flash lighting, you use the flash setting to color balance the available light and flash so it is captured correctly by the camera. A term often used to indicate an image that's too low in contrast; a "flat" image. Lighting source or method that produces a low contrast image or depicts a subject with little dimensionality.
A measure of edge-to-edge sharpness. Lack of flatness of field results in image degradation, or the inability to focus sharply on both the center and edges of the image together.
When shooting in the movie mode, the Flicker Reduction option, offered on select Nikon cameras, allows you to compensate for the flicker that may be seen on the display or final movies when shooting under Florescent, Mercury Vapor or Sodium lamps; or if the camera is panned horizontally; or an object moves at high speed through the frame.
A type of photo reflector lamp that can illuminate a rather wide area. A flexible, thin, 3. Not widely used anymore as their storage capacity is limited. Flourescent is a white balance setting. When manually setting the white balance on your digital camera, and shooting under flourescenet lighting you use the flourescent setting to color color balance the light so it is captured correctly by the camera.
Fluorite FL , a lightweight mono-crystal optical material, has excellent optical properties while reducing overall lens weight to improve balance and handling, especially useful in longer focal length lenses.
The F Mount is the designation given to the Nikon single lens reflex interchangeable lens mounting system. Noted for its rugged construction and outstanding reliability, the F-Mount is distinctive also for its degree of compatibility with NIKKOR lenses and a design that can accommodate future system advances.
Nikon has maintained the basic structure of the mount for the 50 years of its use, and currently some different NIKKOR lenses are compatible with the system. The numerical expression of the relative aperture of a lens.
The distance from the principal point to the focal point. For a D-SLR that uses an imaging sensor smaller than full frame 35mm film frame , the ratio of the diagonal of the camera's imaging sensor in comparison to the diagonal of a 35mm frame is the crop factor. This ratio is commonly referred to as a focal length multiplier FLM , since multiplying a lens focal length by the crop factor or FLM gives the focal length of a lens that would yield the same field of view if used on the reference format.
The precise position plane within the camera body, behind the shutter curtain, at which the light gathering surface of the image sensor is fixed. In a film SLR, this is the same plane across which the film would be positioned for each exposure. The focal plane mark is a mark on the exterior of the camera body noting where the focal plane is located inside.
A point on the optical axis where light rays converge to form a sharp image of an object. An element between the mirror and pentaprism or pentamirror in a single-lens-reflex camera. The mirror reflects the image from the lens upward onto the screen. The areas of the image that are in focus are sharply defined on the screen, while the areas that are out of focus appear blurred. The photographer views the image passing through the screen in the viewfinder window.
A method of operation for an autofocus system. Basic focus modes include single servo AF, continuous servo AF and manual focus. An autofocus mode in which the shutter cannot be released until the subject is in focus. The range within which a lens can focus on a selected subject. Often used to indicate the capability of a macro or micro lens.
Enables you to take in-focus pictures of moving subjects. Pertaining to Binoculars. The instrument has been purged of virtually all moisture, air and gaseous water molecules while in a special chamber in an almost-perfect vacuum state. Then the instrument is filled with nitrogen gas and sealed securely with O-rings.
It prevents fogging and mold. This scene mode automatically sets the Macro mode, allows for hue adjustments and user movement of the focus area. The area in a scene that is closer to the photographer than the main subject. Preparing a memory card for use. It is recommended that before each shooting session, digital camera users format their memory card, in the camera, which completely wipes the data that had been on the card. It is recommended that this be done, instead of simply deleting all files.
A feature of flash units and SLR cameras that enables flash pictures to be taken at shutter speeds higher than the camera's normally synchronized speeds.
Frames per second. Refers to the rate at which film is exposed when a camera's motor drive is engaged; in digital photography, the rate at which image frames are exposed. A single image; also, the scene viewed through the camera's finder.
A photographic technique that is selectable when shooting in the Smart Photo Selector mode of the Nikon 1 system cameras. Framing Priority is accessed via the F Feature button. It is ideal for use when photographing a stationary subject. The focus locks when the shutter is pressed half way. Freezeproof cameras are designed to be used in frigid temperatures. A technique in which the flash fires an instant after the first front curtain of a focal plane shutter has completed its travel across the film plane.
See also Rear-Curtain Sync. Lighting that illuminates the subject from the position of the camera. Because illumination falls evenly on the subject, a front-lit subject may look flat and less dimensional.
A metering method in which light is measured with the lens at maximum aperture. Multilayer Coating is applied to transmission surfaces of all lenses and prisms to enhance light transmittance.
Provides a brighter and sharper field of view. When set to AF-F, the camera will focus continuously as long as the shutter release button is pressed. The focus locks when the shutter button is pressed halfway.
AF-F is one of the focus modes that are availalble on select cameras when in Live View. Refers to Nikon cameras that feature a 35mm film-frame size sensor. The FX sensor, with more "light gathering" area, offers higher sensitivity and, generally, lower noise. There is, of course, no crop factor present with the FX sensor. Gamma is a mathematical term which is used to describes a skew in the middle tones of an image.
Gamma values do not affect the overall density range in other words the brightest and darkest points of the color space but will dramatically affect the overall appearance: A low gamma value will produce a saturated, somber image, whereas a higher value will result in a de-saturated, washed-out result.
All imaging devices such as monitors, digital cameras and scanners make use of some sort of gamma value as the conversion between digital and analog. The value of gamma can be specified for a color space so that the correct tonality can be reproduced. A color filter made of gelatin. Since gelatin can be dyed with a wide range of materials, filters can be made with a variety of colors for various effects.
Nikon does not make gel gelatin filters. Most Gel filters are made by Kodak under the "Wratten" brand name but other manufacturers also supply gel filters. These filters can be purchased from specialty camera stores and they usually come in 3" x 3" or 4" x 4" sheets.
These sheets should be custom-cut by the user for the desired application. Many different types are available for color correction and neutral density effects. Geotagging is the practice of recording and sharing GPS coordinates captured at the time that photos or videos are shot. Some photographers like to keep detailed records of exactly where they have traveled and photographed; while other photographers like to share the GPS coordinates with others so they too can visit these locations.
A double image that results from using flash in relatively bright light at a low shutter speed. The two images, one from the ambient light and a second from the flash, do not perfectly coincide. Graphics image format. This is a raster-oriented graphic file format that allows the exchange of image files across multiple platforms. A gigabyte gb is a unit of information equal to 1, megabytes or approximately 1,,, bytes.
It is available in select Nikon digital cameras. New copies of the photo are stored as separate files. One such enhancement is Big Eyes, which makes the eyes of a portrait subject look bigger than they are. One such enhancement is powder, which makes your portrait subject's skin tone brighter. One such enhancement is Brighten Faces, which brightens the skin tone on a portrait subject's face.
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